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Wednesday, November 12, 2014

Paris, Part 8 - Gilt Trip to Versailles, Part 1

Hall of Mirrors
When we planned our trip to France, one of my biggest desires was to visit the Palace of Versailles.   The house in itself was something spectacular, but it was the grounds and the gardens I really wanted to see.   When I was a kid, my grandparents had a book about Versailles, and I remember pouring over the pictures of the fountains.   I’ve always been fond of fountains and waterworks of any kind, and Versailles were perhaps the greatest ever.  I’d always wanted to see them play in person, and I was so sorely disappointed when my parents returned from their own trip having seen only one.

This time, I would be the tour guide.  I read books on the history of Versailles, though I had no map of the actual house or the grounds.  I had to hope I could figure my way around, because just from the look of it on Google Earth it was incredibly massive.  In real life, it is, and moreso.   Built by Louis XIV, perhaps France’s greatest King, the palace began as a humble hunting lodge and continually expanded over the course of its existence as a royal Palace. 

It is a beautiful but haunted place, and unfortunately extremely crowded the day we arrived.  Saturdays were the day when the fountains in the garden were turned on (all other days they remain inert) but on Saturday they would play to the sounds of Baroque music.  As a result, everyone and their brother was coming to the grounds for the show, and they were jam-packed in a line that ran from the front gate all the way up the long cobblestone walk to the front door. 

First view of Versailles, and the Palace Chapel
Versailles is only thirty minutes from Paris by train, and the town around it has its own quaint charm that we didn’t get to see too much.  Once you near the palace grounds, the quaintness vanishes to the tall, imposing site of what were once official buildings of the royal house.   You step from a tree lined path, and there before you is Versailles up on top of a crest of a hill, gleaming with gilt and gold massive and austere.

Front Gate

The royal crest, all in gilt gold.

Not solid gold of course, but impressive to see nonetheless
Palace chapel a bit closer to the view.

There is no mistake that this is a palace, in its heyday it housed around five thousand people, and that day it seemed like there were five thousand lined up and packing the halls.  Security was a cursory, quick check, a pass by a sign reminding us to watch out for pickpockets inside the house, and then we were off and up into the grand structure.   The first set of rooms was sort of a buffer, with history and models of the construction of the house.  There were also portraits of the people who lived there, and many of the visitors slowed down before going on into the actual house itself.  Even then though, it was still ridiculously crowded.  


Line to get into Versailles

Front clock, this rests in prominence above the King's apartments

It must have been incredibly nice to be a King of France, for the scale and scope of opulence here is a marvel for a simple person such as me to comprehend.  I’m lucky to have twenty dollars in my pocket at a time, but there was gold leaf everywhere, marble floors, incredible statues, expensive furniture, and the customary regalia that a royal family could possess. 

Louis XIV - The Sun King

Louis again, in bust form

And again, on horseback
Many of the portraits and statues were of the first inhabitant of the house, Louis XIV, resplendent riding a horse or standing as an Emperor.  He has a very athletic, outdoorsman appeal, XIV does, and he was when he lived.  He yearned for the hunt and he was a master with the ladies.   He gazes at you from walls or nooks with an expression not unfriendly but very secure in the knowledge that he is the master and you but the humblest visitor to his home.

By comparison, his descendants are far from spectacular, round and soft chubby looking people that lack his physical bearing and bravado.  Louis the XIV looks more like a surgeon, and Louis XV looks like he stumbled out of a buffet to get back to the bathroom.  Strangely enough though, XVI looks the friendliest out of all of them.  He smiles in this genuine and disarming way, as if he’d be quite comfortable sitting down with you for tea.  

Lonely Austrian - Queen Marie Antoinette and her brood

If it is not him, it is his wife that will catch your eye, or their two children.  Marie Antoinette, the child queen, sitting at an empty bassonet while her son and daughter reach up for her affection.   Her eyes seem soft, and strangely sad, no matter the portrait and no matter her other expression.  Looking at these particular two, the last of their family, I found myself feeling a very haunted presence.   It wouldn’t be the last time when gazing at Marie Antoinette. 

I couldn’t stop looking at her head, then her two children.  I kept thinking of the fate she’d endured, taken away from home and family and treated like royal trash by everyone around her.  Then, having to flee her home, her possessions, in fear of her life and the lives of her family.  Standing here in this house where Marie Antoinette spent her life I felt incredibly sorry for her and her family.   I won’t wax historical or philosophical, at least not yet, but for now, back to the tour at hand!  (Apologies for a lack of photos below of some of the rooms, but it was incredibly crowded.)

Chapel Interior

Closer look at the altar

Ceiling decorations

Another section of ceiling from the chapel


The following three pictures are sections of ceiling from the Diana Salon



Hercules Salon Fireplace

Close up look at Hercules on the fireplace
Lous XIV again
A side room

This is the King's Bedroom



Queen's Bedroom

Coronation of Napoleon - His section of the palace 

I love the expressions on the clergy here.  Especially the one guy in the back

This is Napoleon's gallery, it is reminiscent of the Louvre.  It traces the military history of France, bookended by Napoleon and Louis XIV respectively

A little American influence, the Revolutionary War.

The rooms of Versailles were all very much the same at first.  Dark rooms with heavy furniture, portraits, gold leaf and beautiful carvings or sculptures.  Images of gods and goddesses from greek mythology form the central theme of each room.  Chief among these is Apollo, God of the Sun, chosen avatar of Louis XIV – the Sun King.  They are all beautiful but chief and greatest of them all is the Hall of Mirrors.


Entering the hall of mirrors
Louis XIV wanted a room that would dazzle and impress anyone who stepped into it.  He got his wish, as he did many things, and the Hall of Mirrors still stands today as a testament to architectural and design genius.  Anyone who has not stood in this place should forget any notion and erase any picture they've seen from their mind.  The real thing is far more magnificent, opulent, and beautiful than anything else inside the house.  On one side are all the mirrors themselves, and on the other, windows looking out over the gardens.  Light flows through this place, hits the mirrors and reflects on the crystal chandeliers, the gold sconces, the marble floors and the painted ceiling.








It is the light that brings the whole together in the Hall of Mirrors, and even with the crowds of people, it was so incredibly impressive.  I walked the length twice back and forth, and caught my own reflection in one of the glasses.  At the time, this place was an engineering marvel, nothing like it existed, and today almost nothing like it exists anymore.  Even at night, the Hall of Mirrors must glow with an ethereal and otherworldly light.  This room is the true center of the house, the one thing people really come to see.  It is the crowning glory of a fallen crown, a faded house, kings and queen’s whose spirits still glance back from the reflection beside your own.


Self Portrait

After the Hall of Mirrors, the rest of Versailles interiors seem an afterthought, and they were for us as we went outside and into the clean, warm air.   I was only too glad to get out of the crammed corridors because like with most of my experiences with museums so far, the crowd prevented actual reflection and enjoyment.  Most everyone was just trying to get a picture.   Now that we were outside, there was the wider expanse of the garden and my true interest and passion of the fountains there.