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Tuesday, November 18, 2014

Paris, Part 8 - The Fountains and Gardens of Versailles


Our museum pass had covered the palace, but we had to pay extra for the fountain show.  Normally the gardens are free, but it was well worth the price of admission.  Las Vegas might have the Bellagio, Saint Petersberg has the palace of Peter the Great, but before both of them there was one and only spectacle of water in the world:  the Versailles fountains.   There are 55 decorative ponds and fountains, 600 water features and 35 kilometers of piping spread over 30 hectares.  Most of this is the original plumbing, and all play exactly as they did for the French Kings.   It takes a department of 15 people, 8 of these qualified fountain hydraulic engineers to maintain and restore the systems year round.  (Sorry I do like these facts as they were presented on a sign.)

Looking out into the Gardens

 
Map of the Grounds that I found
The first thing one sees as they step out behind Versailles is the immensity of the ground before them.  It seems to stretch for miles into the distance, with the cross formation of the grand canals in the very center.  Boats row about the canal, and beyond this on either side are small forests.  It is essentially a huge park beyond the palace grounds, and inside the grounds are the actual fixtures and pathways leading to them in intricate, interweaving ways. 



Like inside, the theme is greek gods, goddesses and mythology.  You are surrounded by the pantheons and their followers, many of whom are whimsical children taken the forms of fauns, nymphs, angels, imps and other things.  In the very center of all the other features is the God Apollo, resplendent in his gilded gold covering in the middle of a round basin.  He stands in a chariot, pulled by horses on the back of a sea monster, and seems to rise out of the murky depths.



Its an impressive feature to start, but once the water gets to play, it is even moreso.  The spray rises high over and around him, jutting from the mouths of the monsters and the center of the fountain.  It creates a mist effect, making Apollo seem to rise from the very depths of the ocean.  This is the actual intent of the designers!   Before you can even reach him there is the Latona fountain.

Latona Fountain basin


This and the Apollo fountain share a theme of the Sun God, since Latona is his mother.   The fixtures of Latona’s poor victims are being transformed by Apollo for snubbing the woman.   Most take the form of frogs, lizards and other things but others are human, or vaguely human, fixed in the throes of inhuman shaping of their forms.  It’s both grotesque and gripping,   Unfortunately Latona was under reconstruction but the remains of the pipes and the basin alone were impressive enough.

ONe of the small fountains, this area is known as the avenue of infants

Most of the fountains are of mythical creatures depicted when they are young

I took the time to wander down a colonnade of smaller fountains leading away from the house and to a large basin way down below.  None of the features here were working yet, but it was still interesting to see.  The pyramid fountain stood at the head of the long walk, and I didn’t find its pot and tier structure as impressive as the dragon fountain down below. 

Dragon Fountain
Dragon is the guardian of the largest and most impressive of the fountains at Versailles:  the Neptune Fountain.  Aptly named for an amazing fountain, bearing the God of the sea at its center, it has the largest collections of jets, spouts, statues and fixtures beyond all the others.  

Main Structure of the Neptune fountain

Another part of the fountain

Sadly it was not playing when I came.  The water pressure used in all these pipes is tremendous, and the fountain requires the pressure of ALL others to run at the end of the day.  To give you a sense of size, it took me a good fifteen minutes to walk around the fountain, taking in each of the fixtures.  (Apologies ahead of time, I don't know why these movies are like this.)

Pyramid fountain flowing
By this time, I sensed a change in the air and the distant sound of music.  Hurrying up the path, I found water starting to flow down the structure of the pyramid fountain.  I hurried to my parents and we went to see Apollo’s show.   It was very impressive, but I knew it was only the beginning.  My parents had seen this fountain alone in their trip to Versailles and they never even knew about many of the others.  I’d done my research, and picked the very best of the best that I felt were worth visiting while we were there.

Apollo Fountain at play
First and most impressive is the Enceladus fountain, which sits nestled in the center of a small grove of tree’s surrounded by iron gables.  I wanted to get close to take a picture, but was swiftly shooed away, for good reason as I later found out.   Enceladus was perhaps the most expressive and human of the big fountains which we saw play.  He rises as a fallen titan, surrounded by rubble.  While the stone around him is black and volcanic, he is gold, frozen in the throes of his struggle to escape.  It is his face that captures you first, the great, gaping mouth, and eyes staring to heaven with a look of utter agony. 

Enceladus

The giant wakes


At first I felt disappointed that we would not see the fountain play, but then, suddenly a strum of music met my ears.   A voice, a man’s voice, cried out in agony, operatic as small burblers of water suddenly came to life around the center statue.  The music and the voice swelled, seeming to match the face and the voice I could imagine from this pool, trapped soul.   For a moment, there was just the music and the water, then there was a sound like a deep resonance.   The ground physical trembled, rumbled, there was the sound like a gunshot and suddenly a jet of water erupted from the mouth of the statue itself!   Enceladus had come alive!




The spray was incredible, and I swiftly backed away as it started to drift over us.  It must have gone up 50 feet into the air, taller than any other fountain (I would see it over the hedges later.)  This was a first example of the incredible power harnessed by these fountains.  They do not use pumps at all, but natural water pressure that builds up and builds up.  When the fountain turns on that pressure is released like the cork from a champagne bottle – lending that sound I heard.

Waking

Full spray
We stayed for a good while here, and the fountain was probably the most impressive of all the ones we saw play, but there were plenty more to come and I had a schedule to keep.   Next on the list was the bath of Apollo, which has the god resplendent in a cave and tended to by lovely ladies.  He’s resting, you see, from his day in the Apollo fountain, driving his chariot.  His horses are tended one side, while he ravishes with the bathing beauties.  Water flows down the artificial rock caves, creating a unique grotto feel that was quite beautiful.

Apollo fountain at play




From here we trekked through interwoven grottos and paths and saw the Colonnade, Ballroom and Mirror fountains. 


Colonnade fountain

Of the three only the Mirror was working, and was by far the most whimsical and interactive.  The water here comes out jets that rise or fall, shift and sway, swirl and turn, all by the pressure naturally exerted in the pipes.  It must have taken the original engineers every last bit of energy to turn on different fixtures at precisely the same time.  The font was playing to a nice show of music which I will let you enjoy for yourself.


MIrror Fountain, First show


There were only four other fountains worth noting, each marking a distinct fork in the paths that lead to all the rest.  The fountains represent four gods and the four seasons: winter, summer, fall and spring.  We saw spring working, but the rest were silent but still quite wonderful to see. 

Bacchus Faountain



It was the image of Bacchus, God of Wine and symbol of Fall that first got me interested in the fountains of Versailles.  He sits in the center, surrounded by fauns and enjoying the grapes with a pleasant and inebriated expression on his face.  It reminded me once more of the “Puck” statue back at the Louvre. 
Saturn Fountain

Looking back on the palace


I’d no idea how expansive and exhausting the gardens were, and I felt so bad for my parents because I dragged them hither and yon to see every last inch.  We took lunch at a wonderful little cafĂ© just outside the grounds and on the shore of the canal.  It was here I found a map and traced our route.  We’d covered only a portion of the garden, and we had no energy to go see the hamlet of Marie Antoinette or the Trianon Palaces.  I had seen enough to give me fond memories for a lifetime.   It was another thing to check off my bucket list.